• Impressions of the TEFAF. The largest and most expensive art fair of the world in ancient and modern art.

What struck me:There are more and more pieces with black people and “Moors” or “Turks”. The market is clearly changing. Hopefully a few museums will follow this tendency in the market. A number of works were sold, I heard

 
A few examples
 
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Jean Joseph Benjamin Constant, Head of a Moor, ca 1875/ Oil on papier on canvas, 45 x 35 cm

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Jan Davidsz de Heem, Vanitas

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Frans Francken the younger, Adoration, Adoration of the Magi, oil on copper, 69 x 54, 5 cm

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Jan Steen, The Marriage of Tobias and Sara, oil on canvas, 80 x 103 cm

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John Young ca 1813 (Shapiro rare books)

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George French Angas, The Kafirs illustrated, London 1849

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Willem Bartsius, Samsom and Delilah

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Victory and Fortune, Du Paquier manufacturay, Vienna, ca 1740 (Röbbig München)

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Walter Winans, The Mermaid, 1905

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Jan Claudius de Cock, Portrait of a moor pageboy, Marble bust, cm 27 x 27

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Charles-Henri Joseph Cordier Bust of Said Abdallah of the Mayac, Kingdom of Darfur, 1818

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Circle Jeroen Bosch

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Pierre Puvis de Chavannes, Le marchand de Tortues a Venise, oil on canvas, 1854, 89 x 117,4 cm

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Britsh School circa 1800

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Leopold Carl Müller, A Study of an Egyptian Boy, ca 1881, oil on canvas 20,5 x 15 cm.

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Willem van Herp, A Bordella Scene with Ladies arousing and drinking with their Client, oils on panel 45,5 x 37,5 cm

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Jan Weenix, A Portrait of the merchant A n Goor by a Harbour with a Servant, a Dog and a Monkey, oil on Canvas, 78,3 x 69,6 cm

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Anton van Wouw, 1907

All photos on this site are not intended for any commercial purpose. I have tried to trace all the rules and rights of all images. As far as I know, these images can be used in this way. If you ar a copyright holder and would like a piece of your work removed or the creditline changed then please do not hesitate to contact me.

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